Abstract

This article attempts to determine whether Parmenides intended the chariot imagery of his poem to be construed allegorically, as argued by Sextus Empiricus. Modern interpreters have rejected the allegorical reading, arguing that Sextus was biased by Plato, the allegory's true author. There are, however, reasons to believe that a tradition (either native or imported) of employing the chariot image allegorically preexisted Plato and Parmenides. This article argues that Parmenides was drawing upon such a tradition and did portray mind as a charioteer upon a path of knowledge, and impulse as the horses, requiring guidance in order to reach the destination.