Abstract

The aim of this article is to show the way in which film director Josefina Molina dissects the effect traditional education had on Spanish women. In Evening Performance, Molina deconstructs the life of a wife as an individual, while in Most Naturalshe centres on the family as a social unit. Once both, wife and family, are torn and displayed ‘in pieces’, the director reconstructs them as a new, hopeful whole. These films study the difficult transition Spanish women had to undergo from a society enchained by a national-Catholic education into contemporary, European Spain, and from monolithic thinking to plurality. Spanish women were defined as ‘wives and mothers’ till the 1980s, and it was not easy, either individually or as a group, to reach the status of independent citizen.