Abstract

This article examines the transformation of Dante’s image in post-Soviet scholarship. The author shows how Russian philologists Vladimir Bibikhin, Olga Sedakova, and Georgii Chistiakov introduced a new image of Dante to post-Soviet readers in fresh translations of his work, scholarly writings, and lecture courses that revealed previously obscured philosophical and theological dimensions of his texts. The post-Soviet reader came into contact with a more complex image of Dante than previously portrayed in official Soviet literary scholarship: Dante the philosopher, the Christian humanist, the spiritual guide who calls upon individuals to embark upon a difficult but crucial existential journey. The author also shows how the unstable and transitional decade of the 1990s was a time of a particularly active study of Dante’s philosophical and poetic anthropology. Dante’s main themes (personal salvation, activism, living in tradition) resonated profoundly with intellectuals during the late Soviet and early post-Soviet years, which were marked by a special soteriological attitude and a belief that individuals and society not only can but must change.