Perceived harmonic relations

In Carol L. Krumhansl (ed.), Cognitive Foundations of Musical Pitch. Oxford University Press USA (2001)
  Copy   BIBTEX

Abstract

This chapter summarizes a number of studies measuring the degree to which different chords are perceived as related to one another. These perceptual judgments depend strongly on the tonal context according to the principles of contextual dependency proposed in Chapter 6. Supporting results are obtained from studies of memory for chord sequences, also described in Chapter 8. The chapter concludes with a summary of the commonalities found for tonal and harmonic structures.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,757

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Perceived relations between musical tones.Carol L. Krumhansl - 2001 - In Carol L. Krumhansl (ed.), Cognitive Foundations of Musical Pitch. Oxford University Press USA.
Perceptual organization and pitch memory.Carol L. Krumhansl - 2001 - In Carol L. Krumhansl (ed.), Cognitive Foundations of Musical Pitch. Oxford University Press USA.
Music perception and cognition.Timothy Justus & Jamshed Bharucha - 2002 - In J. Wixted & H. Pashler (eds.), Stevens' Handbook of Experimental Psychology. Wiley. pp. 453–492.
The Metaphysics of Tonal Harmony.Luiz Leal - 2022 - Dissertation, University of Manchester

Analytics

Added to PP
2016-10-25

Downloads
9 (#1,530,602)

6 months
9 (#504,609)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references