Abstract

Logically, among the various pictorial elements that poet chooses, merges, and uses contemplatively and deliberately in his work, certain semantic and aesthetic connections exist that studying and analyzing them can help us in comprehension, criticism, and editing of literary texts. These relations between these elements construct certain linear and geometric shapes in poetic images that attention to them can display the technical and semantic delicacies of poetic texts. In this article, the author wants to propose this point by analyzing and classifying these relations and clarify it by recursion to instances that have been chosen and studied from past and present texts.