Abstract

Reading Morgan's eloquent explanation of himself as a "feminist," self-taught and now wholly enthused at the prospect of teaching a Women Writers course, one comes away sharing Morgan's concern that he not be left out in the cold. It is, after all, exciting and revitalizing to be part of a "revolution"—especially if, like Morgan, one can so generously and wholeheartedly espouse its goals; and, at the same time, it is surely comforting and ego-affirming to experience oneself as a legitimate son of that sacred brotherhood, The Community of Scholars. What clearly disturbs Morgan is any suggestion that the two may not yet be compatible and that, further, if forced to choose, Morgan might find himself without viable options on either hand. For, if the larger academic "community" continues to close its professional ranks to women in general and feminists in particular , then Morgan, as a self-styled "feminist" will be forced to seek shelter among the female feminists, many of whom have closed their ranks to men. . . . Beverly Voloshin's Note restores to print some factual information which, for the sake of brevity, I cut from my original article, directing the reader, instead, to James D. Hart's concise summary of the original context of Hawthorne’s letter to Ticknor . While she and Hart make much the same point, her longer explication is, of course, welcome. Additionally, her fine explanation of "what was so daring about Ruth Hall" further reinforces my argument that there are fascinating texts to be discovered in the "feminine fifties" - even if only one or two; certainly, that's better than condemning all the women writers of that decade to obscurity. Moreover, since we teach a number of male texts simply on the grounds of their historical or "sociological" interest, why not also include women's texts on these grounds as well?—especially if, as Voloshin suggests, they reveal "numerous covert rebellions against male authority." How fascinating! One looks forward to her doing more than this. Finally, my main point was not the "feminine fifties" per se, but a plea for the careful reconsideration "of texts by women which have, for one reason or another, been either lost or ignored" . Stretching the "feminine fifties" by only two years, for example, one discovers Rebecca Harding Davis' Life in the Iron Mills , recently reissued by the Feminist Press . Annette Kolodny, assistant professor of English at the University of New Hampshire, has been awarded a Ford Foundation Fellowship for the study of women in society. She has written articles on American literature and culture and a feminist analysis of American pastoral, The Lay of the Land: Metaphor as Experience and History in American Life and Letters