Abstract

Part of Cornel West's prophetic pragmatism purpose is to link ethics and politics to art. In this approach, ethics becomes the basis of aesthetics and politics. He presents a picture of moral life that emphasizes the uniqueness of human characteristics. His goal of prophetic pragmatism is not to answer the questions of Western philosophy. West sees the root of these problems in Western philosophy in the epistemology of Descartes and Kant and believes that it must be overcome. The purpose of prophetic pragmatism is to provide answers to short-term problems and ongoing cultural interpretations in a specific historical period. West sees nihilism as evil, as opposed to democracy, and turns to art to combat this nihilism. He believes that original art has a common concern with the oppressed and can fight nihilism. He considers this original art to have anti-nihilistic properties. Artists in this approach are struggling to achieve democracy and must follow ethics based on religious love. In this article, after examining the relationship between politics and ethics in art, we critique West's views.