Abstract

To rethink history from the perspective of an economy of affects as they are engendered by beings ousted from the definition of the human, I will draw on two Caribbean texts, Anim-Addo's Imoinda: Or She Mho will Lose Her Name and Philip's Zong!. This essay discusses how these two Caribbean texts counterwrite the history of the slave plantation by staging and embodying the work of what I call an affective memory drawn from the history of the black subject as a history of absence and reconstellated in the present as a history of being and community. This affective memory represents the being of the ‘living corpse’ and her making of a community as the subject of a new polity, the polity of decolonised beings. By drawing on these texts to demonstrate how they write the history of spectres, ruins and other communities, I discuss affective memory not as the absolute possession of a body, but rather as the alienated property of the body that can be reclaimed only by a community that, precarious and tentative as it is for it is a community of slaves and subjected bodies, remains the only promise for the future.