Abstract

The article is dedicated to the study of the origins of Christian cosmogony. Christian authors of the 2nd century are known for their enigmatic or ambiguous positions on the issue. The problem concerns mainly the apologists, but it first appears in Ignatius of Antioch and continues in Bardesanes. Although they all confess God as the Creator, their ways of presenting the act of creation are strongly marked by philosophical doctrines, primarily by Platonism, or by Stoicism in the case of Bardesanes. The Christian Creator receives the characteristics of a demiurge and an artisan. This approach has implications for the notions of universe and matter. But first and foremost, the idea of God as a demiurge and an artisan determines the role assigned to the Logos in the act of creation. Those concepts are later abandoned in favour of a doctrine based more on the Bible, but they give us a better understanding of the relationship between young Christianity and Platonism.