From Philosophy-Cinema to Philosophy-Screens: Reflections on the Thought of Mauro Carbone

Journal of the British Society for Phenomenology 52 (3):251-257 (2021)
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Abstract

Mauro Carbone’s most recent book, Philosophy-Screens: From Cinema to the Digital Revolution advances the work and thought of his Flesh of Images: Merleau-Ponty Between Painting a...

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The Flesh of Images, Images of Flesh: Merleau-Ponty Forwarded.Galen A. Johnson - 2017 - Journal of the British Society for Phenomenology 48 (4):360-367.
Philosophy-screens: from cinema to the digital revolution.Mauro Carbone - 2019 - Albany: State University of New York Press. Edited by Marta Nijhuis.
The Flesh of Images: Merleau-Ponty Between Painting and Cinema.Marta Nijhuis (ed.) - 2015 - State University of New York Press.

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Galen A. Johnson
University of Rhode Island

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References found in this work

The spirit of terrorism.Jean Baudrillard - 2001 - Telos: Critical Theory of the Contemporary 2001 (121):134-142.
The Flesh of Images: Merleau-Ponty Between Painting and Cinema.Mauro Carbone (ed.) - 2015 - Albany: State University of New York Press.
Philosophy-screens: from cinema to the digital revolution.Mauro Carbone - 2019 - Albany: State University of New York Press. Edited by Marta Nijhuis.
The Flesh of Images: Merleau-Ponty Between Painting and Cinema.Marta Nijhuis (ed.) - 2015 - State University of New York Press.
Falling Man.Mauro Carbone - 2017 - Research in Phenomenology 47 (2):190-203.

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