Abstract

30-40 years of the 20th century, in the context of World War II by European culture Morphology inspired, Lei, Lin Tongji establish a set of independent human figure on the world and the basic characteristics of Chinese culture and the law recognized know the system, they have appeared on the world cultural patterns to classify the various studies, while the context of the development of Chinese culture was cleared, Lei thus creatively put forward the Chinese culture, unique "two weeks" theory. Ray, Lin also believes that the 20th century, the world is in 30-40 years is similar to the ancient Chinese "Warring States Period", only to learn advanced Western culture, maintaining culture personality, a firm confidence in the war, in order to save the Chinese culture in defeat; Lei even predicted: the Chinese culture will enter the third development cycle. The main ideas are regarded as "Warring faction" theory of the core concept of culture morphology. Lei Haizong, Lin Tongji and such people, inspired by the cultural morphology in Europe, strived to build a whole set of independent cognitive system of world and Chinese culture's basic characteristics and rules under the background of WW Ⅱ in the thirties and forties of the twentieth century. They made a classification and research on various cultural formations ever appearing in the world, meantime, cleared up the thread of Chinese cultural development, thus Lei Haizong creatively advanced the theory of two Chou only existing in Chinese culture. Lei Haizong and Lin Tongji thought, we should save Chinese culture from perdition only if we endeavored to study advanced western culture, kept the individuality of national culture and firmed the confidence in Anti-Japanese War, because the world in the thirties and forties of the twentieth century was being in such an era as Warring Kingdoms Era in the ancient of China. Lei Haizong even prophesied that Chinese culture would enter the third period of development. These main thought and views are regarded as nuclear theories of the cultural morphology of the Zhanguoce School of thought