La vocación Del actor: Una perspectiva fenomenológica

Investigaciones Fenomenológicas 14:107 (2021)
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Abstract

Con este artículo se pretende ensa-yar y mostrar la virtualidad de una fenomenología de la actitud natural —en la línea en que la desarrollan Schütz, Berger, Luckmann, Ortega e incluso el propio Goffman. El tema del análisis corresponde al mundo del “actor”, concretamente, a una perspectiva: la asunción y vivencia de la profesión como una vocación. ¿Es cierto, como suele afirmarse, que esta profesión es vocacional? ¿Y es cierto, por tanto, que el teatro es el lugar privilegiado para llevarla a cabo? Normalmente, estas son las respuestas que suelen darse. Sin embargo, tras nuestro análisis, veremos que la afirmación ni es tan fácil, ni tan cierta.The following article will attempt to explore and delve into the phenomenology of the natural attitude. The subject of the analysis corresponds to the world of the “actor”, more specifically to one perspective: the as- sumption and experience of this profession as a vocation. Is it true, as it is often claimed, that this profession is a vocational one? If so, is it true that the theater medium is the ideal place to conduct it? It is usually assumed that the answers to both questions are affirmative. However, after thorough analysis, we shall see that such affirmations aren’t quite as easy or as certain as they might seem.

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