Experiencing Atmospheres in Paintings

Journal of Aesthetics and Art Criticism 82 (1):18-35 (2024)
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Abstract

Paintings can exert a strong effect on their viewers by creating atmospheres. But how is it possible for a painting to create an atmosphere? My goal in this paper is to provide a partial answer to this question by focusing on the depiction of light. I argue that paintings can elicit experiences of atmospheres in part because they can depict pictorial space as filled with ambient light that has a distinctive phenomenal character. It is in virtue of this distinctive phenomenal character that the depicted ambient light can make a significant contribution to the overall phenomenal character of the experienced atmosphere.

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Rene Jagnow
University of Georgia

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References found in this work

Consciousness and Experience.William G. Lycan - 1996 - Philosophy 72 (282):602-604.
Intentionality as the mark of the mental.Tim Crane - 1998 - In Tim Crane (ed.), Contemporary Issues in the Philosophy of Mind. Cambridge University Press. pp. 229-251.
Everyday Aesthetics.Yuriko Saito - 2007 - Oxford, GB: Oxford University Press.
Understanding Pictures.Dominic Lopes - 1999 - Philosophical Quarterly 49 (196):398-400.
Horror and Mood.Andrea Sauchelli - 2014 - American Philosophical Quarterly 51 (1):39-50.

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