Abstract

EXCERPT.--With exception to early essays by George von Glahn and Mark Sanders, serious critical scholarship on the writings of Ted Kooser began after the 1980 release of the now-classic Sure Signs, Kooser’s fifth major collection of poems. Looking back over the thirty-plus years since then, only about a dozen or so significant studies—none of which book-length—currently boulder out against the relative flatscape of secondary materials constituted mostly by quick and dirty reviews. Aside from the essays by Wes Mantooth, Allan Benn, and Mary K. Stillwell in this special issue of Midwestern Miscellany, the following works particularly stand out and, in my view, must be consulted by the Kooser scholar: David Baker’s “Ted’s Box”; William Barillas’s Chapter 7 of The Midwestern Pastoral; Victor Contoski’s “Words and Raincoats”; Dana Gioia’s “The Anonymity of the Regional Poet”; Jeff Gundy’s “Among the Erratics”; Jonathan Holden’s “The Chekov of American Poetry”; Denise Low’s “Sight in Motion”; David Mason’s “Introducing Ted Kooser”; and both Mary K. Stillwell’s “The ‘In Between’” and her “When a Walk is a Poem.”