Abstract

“Mother dear, I simply cannot weave my cloth; I'm overpowered by desire for a slender young man—and it's Aphrodite's fault.”“The Greeks required a woman to devote herself to the sedentary tranquillity of woolwork.”Sappho, Xenophon: these two juxtaposed texts, chosen for their dissonant tones, well introduce the Greek representation of weaving as a privileged metaphoric terrain defining the presence and the essence of an imaginary feminine, often expressed in antithetical terms, as a polarized place, with an ever precarious equilibrium. As discourse, weaving is no longer a naturalistic depiction of an edifying occupation of the gynaeceum, an answer to the day-to-day realty of household tasks. As a literary object or ritualized activity, the loom appears as a “gendered” space, a place symbolic of feminine activity.