Abstract

In light of the ramifications for Spenserian hermeneutics in the Proems to Books Two (“unseen” reality) and Three (“living art”) of The Faerie Queene, this essay reads Prince Arthur’s account of his dream-vision of Gloriana (1.9) as an allegory for how the reader ideally should encounter and make meaning from the poet’s text. Spenser’s concept of “living art” echoes Dante’s “living language,” and both show the influence of Augustine, especially as regards the readerly agency called for in the Christian Doctrine and the Confessions. Places of textual obscurity (the “unseen”) mark opportunities for the reader to exercise and develop the capacity to generate interpretations, a process both the effect and the cause of virtue. This process is figured in Arthur’s memory of his dream of the Faerie Queen and how it inspires him to pursue her.