Abstract

This article examines two modes of the canceling of time in a comparative analysis that ought to show the passage from the aesthetic over coming of the form of time in Kant to the historical over coming of natural time in Hegel. The essay begins with a problematization of the form of time in Kant?s first Critique and with the question whet her Kant displaces time outside the framework of mere condition of receptivity. Thereafter we will analyze the key passage from Analytics of the Sublime where Kant writes about the cancellation of time-condition and we will interpret this in the light of an ontology of the eventuality and in the historico-political context of French revolution. Although Kant still does not think time as historical time, the cancellation of time-condition in the experience of the sublime shall be considered as the act of the structuring of time that is emancipated from natural linearity and causal continuity. The thinking of historical time will take place only with He gel, i.e. with his identification of time and concept. In this sense we will analyze Hegel?s notion of "conceptual history" in order to draw a conclusion that in Phenomenology of Spirit is al so at work a modus of annihilation of the natural, linear time, but unlike Kant it is truly articulated as historical occurrence. Time is constituted only as annihilated, since it is the intuitive, sensible, natural and external meaning of time what is sublated, while time in its originary dimension is produced only as hi story-time. nema