Emotional Intimacy in Literature BSA Prize Essay, 2016

British Journal of Aesthetics 58 (1):1-16 (2018)
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Abstract

When reading literature, we might have an emotional connection with the author, or at least what appears to be such, even when that literature is a work of fiction. But it is unclear how a work of fictional literature could supply the resources for such an experience. It is, after all, a work of fiction, not a report of the author’s experience, as with memoir or autobiography. The task of this paper is twofold: first, to explain the nature and value of this emotional experience; second, to argue that a fictional literary work can supply the resources for such an experience.

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John Holliday
Stanford University

Citations of this work

Emotion in Fiction: State of the Art.Stacie Friend - 2022 - British Journal of Aesthetics 62 (2):257-271.

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References found in this work

Against the ubiquity of fictional narrators.Andrew Kania - 2005 - Journal of Aesthetics and Art Criticism 63 (1):47–54.
Style and personality in the literary work.Jenefer M. Robinson - 1985 - Philosophical Review 94 (2):227-247.
Music and Negative Emotion.Jerrold Levinson - 1982 - Pacific Philosophical Quarterly 63 (4):327-346.
Music and negative emotion.Jerrold Levinson - 1997 - In Jenefer Robinson (ed.), Music & meaning. Ithaca [N.Y.]: Cornell University Press. pp. 327.
Apparent, Implied, and Postulated Authors.Robert Stecker - 1987 - Philosophy and Literature 11 (2):258-271.

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