Abstract

_A collection of illuminating observations on life and art, from an acclaimed Swiss modernist__ “[Tess Lewis’s] translation is worthy of her willfully demanding subject, leaping between what Hohl calls the ‘incandescence’ of the aphorism and, in his dream narratives and miniature fairy tales, a shadowy beauty reminiscent of his better-known compatriot Robert Walser.”—Max Norman, _Wall Street Journal___ “_The Notes_ should be celebrated: it is wonderful that this volume of [Hohl’s] compact, aphoristic observations has finally arrived in English.”—Alexandra Sattler, ___Arts Fuse__ Revered by Bertolt Brecht and Max Frisch as one of Switzerland’s most commanding writers, Ludwig Hohl spent most of his waking hours with a pen in hand, collecting quotes from others and recording ruminations of his own. Composed between 1934 and 1936 during his residence in the Netherlands in a state of “extreme spiritual desolation,” _The Notes_ is Hohl’s magnum opus: an assemblage of his epiphany-like observations, disparate in subject yet threaded together by a relentless exploration of the nature and origins of creativity. Inspired by Spinoza, Goethe, and many others, _The Notes_ contends with the purpose of work, the vitality of art, and the inevitability of death—a valiant, uncompromising exercise in hope against the devastating backdrop of twentieth-century Europe. This abridged edition, expertly translated by Tess Lewis and with an illuminating foreword by Joshua Cohen, introduces the reader to this remarkable work and its writer.