Abstract
In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 46, no. 2. © 2020 by Feminist Studies, Inc. 327 Callie Danae Hirsch pandemic daydreams Artist’s Statement I am a painter who works in oils and acrylics on canvas and found objects. I am also a photographer as part of my daily practice. My work is an exploration of everything that surrounds me in my daily life, observing the overlooked, honing in and reimagining it. I seek out discarded items on the streets, in parks, and on the beaches around the five boroughs of New York City and imagine their reincarnation. This series, pandemic daydreams, explores my subconscious in a time of profound anxiety. I sometimes drift off into sleep and, upon waking, remember clearly for a moment the scenario the dreamlet contained. A dream fragment during the day, or as I reframe it here as a daydream, allows my subconscious to float to the surface of consciousness. What is revealed is not always easily understood, but now it is the plague that plagues my sleeping life. Strange ideas emerge; comical, nightmarish, filled with chaos and disruption, the invisible made visible, interpreted from brush to canvas. The paintings serve as a visual diary of my psyche during the coronavirus outbreak, created using acrylic on canvas, measuring from 24 by 20 inches to 44 by 36 inches. My quarantine cocoon strolls include Green-Wood Cemetery in Brooklyn, where newly dug soil can be seen on numerous fresh graves as I make my way through the hills seeking fresh air and exercise. Rising smoke from the crematorium is a constant reminder of those we have lost. Migrating birdsong fills my ears, but death hovers in the whirlwind 328 Callie Danae Hirsch around us. Who are we losing today? What will remain of our pre-COVID life and society when this is over? When can we hug each other again? As the pandemic hit, I felt the desire to connect and reflect with others about what we are all losing: our elders, our community members, our friends, our family, and our “IRL” connections with each other. I look forward to the day when this chapter is a distant memory, but for now I will investigate the discomfort of our present moment. All images shown in this art essay courtesy of Callie Danae Hirsch: Pandemic daydreams i– xvii, 2020. Acrylic on canvas, variable dimensions. Pandemic daydreams vii, 24 × 36 × 1 inches. left to right Pandemic daydreams i, 20 × 24 × ½ inches. Pandemic daydreams xvii, 20 × 24 × ½ inches. this page, top to bottom Pandemic daydreams xiii, 20 × 24 × ½ inches. Pandemic daydreams xvi, 20 × 24 × ½ inches. opposite, top to bottom Pandemic daydreams v, 20 × 24 × ½ inches. Pandemic daydreams xv, 44 × 36 × 1 ½ inches. left to right Pandemic daydreams ix, 16 × 20 × ½ inches. Pandemic daydreams xii, 20 × 30 × 1 ½ inches. left to right Pandemic daydreams xi, 20 × 24 × ½ inches. Pandemic daydreams ii, 20 × 24 × ½ inches. Pandemic daydreams viii, 20 × 24 × ½ inches. Pandemic daydreams xiv, 20 × 24 × ½ inches. previous page Pandemic daydreams vi, 20 × 28 × 1 ½ inches. Pandemic daydreams iii, 20 × 24 × ½ inches. Pandemic daydreams x, 48 × 36 × 1 ½ inches....
