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Peirce, Goodman and the Aesthetic Sign
Grazer Philosophische Studien 37 (1):177-184 (1990)
Abstract
Expressions of the form "s represents an F", "s represents t as G", and "s represents an F as G" are analysed by means of C. S. Peirce's and Nelson Goodman's semiotic theories, and these theories are compared with each other. It is argued that Peirce's concept of interpretant provides a plausible account of what Goodman calls the exemplification features of aesthetic signs (works of art).Author's Profile
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Citations of this work
Reflections on iconicity, representation, and resemblance: Peirce's theory of signs, Goodman on resemblance, and modern philosophies of language and mind.Randall R. Dipert - 1996 - Synthese 106 (3):373 - 397.
On the immediate and dynamical interpretants and objects of signs.Risto Hilpinen - 2019 - Semiotica 2019 (228):91-101.
Conception, sense, and reference in Peircean semiotics.Risto Hilpinen - 2015 - Synthese 192 (4):1-28.
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