Abstract

Admitting that Kant’s general project in his Critique of the Pure Reason is intended to find the scientific experience's conditions of possibility, the present work pretends to make a general trip through the constitution of the experience notion in the part that comprehends from the beginning of the transcendental aesthetics to the second chapter, whit the purpose of showing how Kant gets to talk of experience as a knowledge that complies with some specific conditions and that has to pass through a construction process, so we can observe the distance that separates his experience conception from the one found frequently in the empiric tradition as pure affection.