Abstract

A different perspective is offered on the problematic arguments for the identity of various virtues in the 'Protagoras' by taking into account the dramatic context in which Socrates makes these arguments. A close examination of the portrayal of Protagoras's profession of sophistry, particularly in his telling of a version of the Promethean Myth, reveals a concealed and ignoble doctrine about human virtue. Viewing Socrates' primary intention to be exposing the sophist, particularly his conception of virtue as disunified, explains some of the puzzling aspects of the arguments Socrates offers for the unity of the virtues.