Abstract

Both Simone Weil and John McDowell analogize value or meaning to sensations such as colour or heat, and this analogy is a strategy for resisting anti‐realism. However, McDowell's analogy tacitly accepts the very dualism which he is criticizing, while Weil's analogy is both more naïve and more radical than his. Like McDowell, Weil argues that virtuous character is the actualization of a second nature, but she emphasizes the role of the body in this process. Fully trained, the agent's body is a transparent medium through which she reads circumstances – and through which the circumstances, clearly perceived, express themselves in action.