Abstract

Much Ado About Nothingness brings together 14 essays on Nishida Kitaro and Tanabe Hajime by one of the leading scholars of twentieth-century Japanese philosophy. With Nishida’s “logic of place” and Tanabe’s “logic of the specific” providing a continuity to the whole, the author writes from a conviction that “the overriding challenge for those doing philosophy in the key of the Kyoto School, with their sights set squarely on self-awareness like Nishida and Tanabe before them, is to turn its attention to the wider world….”