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Reductionism in Drama and the Theatre: The Case of Samuel Beckett
Potomac, Md. : Scripta Humanistica (1992)
Abstract
A detailed examination of Beckett's dramas based on reductionist models in the arts and sciences. Various experimental aspects of composition and production are shown to reflect Beckett's search for a minimal theater of silence and inaction, as well as his epistemological uncertainty.Other Versions
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Citations of this work
Crossing borders: Towards a cognitive aesthetic approach to Caravaggio and Beckett.Dario Del Degan - 2005 - Semiotica 2005 (157):65-82.
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