Abstract

The dialogue Bruno, which Schelling published in 1802, has always been recognized as one of the minor masterpieces of German Romantic literature. It cannot be ranked with Hölderlin’s Hyperion or with the Heinrich von Ofterdingen of Novalis; but it is one of the relatively few works by a major German philosopher that deserves the serious attention of general readers of European literature. Unlike Kant, Fichte, and Hegel, Schelling could write about the most abstruse philosophical issues in a way that was intelligible and interesting to the cultured general audience of the time. In this respect he is the only German before Schopenhauer and Nietzsche who can be compared with Locke, Berkeley, and Hume — though it is only with the Berkeley of Alciphron and Siris that his thought has any affinities!