On Schuon's "Traditional Art": An Analytical Review

Rahpooye Hekmat-e-Honar 1 (1):61-70 (2022)
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Abstract

The nature and characteristics of traditional art have always been controversial, and Frithjof Schuon, as one of the leading figures of the traditionalist movement, has made many claims in this regard. One of the ways to investigate philosophical issues is to clarify concepts by providing the necessary and sufficient conditions, which has been widely used in the contemporary philosophy of art. This paper, which has been done by descriptive-analytical method, tries to introduce the necessary and sufficient conditions for a supposed work of art to be categorized under the category of "traditional art" by referring to Schuon's works. The results show that the three conditions of "symbolic expression of intellectual realities", "being functional and useful" and "conformity of form, raw materials, and symbolism with the rules of traditional art" can be considered as necessary conditions and together as a sufficient condition for an artwork to be "traditional" from Schuon's point of view.

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Seyyed Abbas Haghayeghi
University of Religions and Denominations

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The Transfiguration of man.Frithjof Schuon - 1995 - Bloomington, Ind.: World Wisdom Books.

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