How philosophical characterizations of a musical work lose sight of the “music” and how it might be put back

In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--63 (1995)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,225

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

The sign and music: A reflection on the theoretical bases of musical semiotics.Rosario Mirigliano - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--43.
Pertinence in music.Luca Marconi - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--209.
Metaphor in music.Robert S. Hatten - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--373.
Music and semantics.Raymond Monelle - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter.
Tempo deviations and musical signification: A case study.Kari Kurkela - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--301.
On the genesis of the musical sign.Vladimir Karbusicky - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--229.
Experiments on grammar-based analysis of music.T. Kalev - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--361.
Music and antimetaphor (to Eero Tarasti).Daniel Charles - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--27.
The application of Hje1ms1ev's glossematics to music.Gayle A. Henrotte - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--109.
A semio-psychological theory of communication in music.Jirí Kulka - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 279--284.

Analytics

Added to PP
2014-01-28

Downloads
10 (#1,469,173)

6 months
1 (#1,886,937)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Cynthia M. Grund
University of Southern Denmark

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references