Abstract

Gross goes against the stereotype of New York photographer Diane Arbus as 'Sylvia Plath with a camera' in this examination of Arbus's work within the cultural, literary, and artistic milieu of the 1960s. The author discusses Arbus's portraits, street scenes, images of madness and disability, and her magazine work, including a spread of portraits of children in the magazine Harper's Bazaar, entitled "Auguries of Innocence." Other photographers, artists, and authors under discussion include Robert Frank, Truman Capote, Richard Avedon, Andy Warhol, Roland Barthes, and William Burroughs. The book is for art and photography historians, social and cultural theorists, and lovers of 1960s visual culture. Unfortunately, it contains no photos.