Abstract

The purpose of this paper is to show, using the example of socialist Yugoslavia, how and why authors’ rights laws were applied in a socialist regime relying on the same rhetoric of ownership and individualism that marked their use in the capitalist West. In this way, Yugoslav laws have served us as an excuse to examine the connection between rights guaranteed by the legal apparatus and a type of control over creative processes that these rights make possible. Since it is a fact that both single-party socialism and pluralist capitalism have employed the same concept of authors’ rights and authorship, it is our claim that the two systems have been and are equally interested in limiting creative freedom by means of property derived from authors’ rights. To the extent to which Yugoslav legislative, political, cultural, and ideological practice borrowed from the Soviet variety of socialism, we will consider examples from that tradition as well, treating it as the strictest incarnation of Marxism in Europe.