Abstract

A collection of speeches and papers, some delivered before political groups, Thomas Pangle's newest book contains little if any serious scholarship. It consists mostly of polemics against an ill-defined postmodernism, which take as their starting point Pangle's idiosyncratic conception of modernity. From this perspective the overshadowing cultural problem of contemporary America is the overabundance of academic postmodernists who raise disagreeable hermeneutic questions. Starting with Martin Heidegger and culminating in Jean-François Lyotard, these thinkers have destroyed fixed meanings and undermined the faith in democratic values and rational discourse as defined by Pangle and other Straussians. Pangle celebrates both the civil rights revolution and the feminist movement in paragraphs full of purple prose. Though a self-described conservative, he avoids giving offense to those insisting most stridently on political correctness. His own quarrel, like Allan Bloom's, is with antimodernist German thinkers and with their French imitators who are now seen as threatening "modernity." Pangle's own modernity is the sum total of his value preferences. It is antiseptically free of the nonmaterialist religious figures of the early modern period--such as Luther, Calvin, and Loyola--and of the theoretical defenders of that peculiarly modern institution, the nation state. All modernity, for Pangle, is conveniently reduced to his own reading of John Locke and of other thinkers who can be at least plausibly if not always accurately presented as democratic individualists.