The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms

Common Knowledge 15 (3):515-515 (2009)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Add categories

Keywords

Reprint years

DOI

10.1215/0961754x-2009-044

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,337

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Canonicity and collegiality “other” composers, 1790 – 1850.William Weber - 2008 - Common Knowledge 14 (1):105-123.
Between text and performance symposium on improvisation and originalism.Jeffrey M. Perl, Philip Gossett, Robert Levin, Jeffrey Kallberg, Steven E. Jones, Martin Puchner, Tiffany Stern, Mark Franko & Roger Moseley - 2011 - Common Knowledge 17 (2):221-230.
“What Line Can’t Be Measured With a Ruler?”: Riddles and Concept-Formation in Mathematics and Aesthetics.Samuel Wheeler & William Brenner - 2024 - Nordic Wittgenstein Review 13.
Intermezzo by I. Brahms Op. 119 No. 3: Non-classical tendencies in the music of Late Romanticism.Elena Vyacheslavovna Litvikh - 2021 - Философия И Культура 12:33-45.
Three Recitals.Lewis Stephen Edward - unknown
Arbeit am Kanon: Ästhetische Studien zur Musik von Haydn bis Webern.Andreas Dorschel & Federico Celestini - 2010 - Universal Edition.
Exploring the musical taste of expert listeners: musicology students reveal tendency toward omnivorous taste.Paul Elvers, Diana Omigie, Wolfgang Fuhrmann & Timo Fischinger - 2015 - Frontiers in Psychology 6:154078.
A Taste for the Secret.Nina Pelikan Straus - 2004 - Common Knowledge 10 (2):353-354.
Poetics of Music in the Form of Six Lessons ; Preface by George Seferis, Translated [from the French] by Arthur Knodel and Ingolf Dahl.Igor Stravinsky - 1970 - Harvard University Press.
The Consecration of Sound: Sublime Musical Creation in Haydn, Weber and Spohr.Benedict Taylor - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.

Analytics

Added to PP
2013-11-23

Downloads
52 (#418,263)

6 months
22 (#136,152)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references