Unfolding spiritual understanding through artistic creation: Findings of the Laboratory of Art and Spirituality

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Abstract

This article presents the results of the Laboratory of Art and Spirituality (LAS), in which a group of seven Colombian artists investigated, over a period of 10 months, how artistic creation contributes to understanding spiritual experiences. The research-creation methodology involved spaces of spiritual practice, artistic exploration, and autoethnographic reflection. With the help of these spaces, the artists produced various materials that were subsequently analyzed using a hermeneutic phenomenological orientation. As a result, we developed a model of artistic understanding based on the idea that meaning-making is a process of unfolding meaning that goes through different interpretative moments or loci (experience, the creative process, the artwork, the artist’s life, and autoethnographic reflection). This model entails five meaning-making mechanisms: perception, knowing-how, emotional understanding, seeing-as, and perceiving mystery. The article aims to let the artists speak for themselves, disclosing in their journals and dialogues these fundamental structures of spiritual understanding through artistic creation.

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References found in this work

Retrieving Realism.Hubert Dreyfus & Charles Taylor - 2015 - Cambridge, MA: Harvard University Press. Edited by Charles Taylor.
Perceiving God.William P. Alston - 1991 - Philosophy 69 (267):110-112.
Mysticism: Christian and Buddhist.E. Dale Saunders & Daisetz Teitaro Suzuki - 1957 - Journal of the American Oriental Society 77 (3):253.

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