Abstract

Although its subject is the relationship between philosophy and comedy, this essay is neither flippant nor nihilistic. It instead approaches philosophy through themes borrowed from comedy, including chapters on inversion, paradox, madness, nonsense, and the distinction between appearance and reality. Beyond his authorship of two previous books on theories of comedy (Madness, Masks, and Laughter and Split Down the Sides), Glasgow's credentials are not stated. Annotation copyrighted by Book News, Inc., Portland, OR