Ortega y Gasset y Eugenio d’Ors intérpretes de Maquiavelo

Ingenium. Revista Electrónica de Pensamiento Moderno y Metodología En Historia de Las Ideas 13:89-99 (2019)
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Abstract

At the beginning of the 20th century Machiavelli is an author celebrated by Ortega y Gasset: the philosopher of Madrid despises the nineteenth century, epilogue of an era, as much as he admires the Renaissance. Twenty years later - in España invertebrada - Ortega reads the pages of Il Principe as the brilliant commentary “from an Italian to the deeds of two Spaniards”, Fernando el Católico and César Borja. D ‘Ors’s position is very different. Although in 1920, in favor of Machiavelli, he opposed “vulgar beliefs”, certainly ends up among the most radical critics. According to d ‘Ors, Machiavelli reaffirms in modernity the paganism of the Emperor Julian and anticipates - against Dante and his theory of the empire - the fate of a fragmented Europe, in which ideas and nations fight, without any reference to a universal authority.

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