Abstract

Gargani's work aims at discovering the link connecting the multifarious aspects of contemporary Austrian culture in the connection between ethics and aesthetics. In Gargani's view this connection is responsible for the strong criticism of contemporary society, based on mechanization and automatic processes, as it is instanced by such authors as F. Kafka, L. Wittgenstein, R. Musil, I. Bachmann and above all Thomas Bernhard. According to Gargani's essay, starting from the rejection of the notion of a correspondence relation of language to the world, T. Bernhard puts forward a sort of literature conceived no more as being a description of reality, but rather as being a critical analysis and a deconstruction of human existence. In substance, the core of Bernhard's literary work consists in revealing the truth content of the lie (der Wahrheitsgehalt der Lüge). If human existence on the whole is doomed to failure on the one hand, Bernhard acknowledges literature itself as the only possibility of safety for man on the other hand. On clarifying the peculiar structure of Bernhard's writing, Gargani shows how the indirect narration of events and thoughts carried out by Bernhard aims at an indirect truth, which is the only available one and which is preciselythe mediated truth of literature