Abstract

This article discusses the body of work produced in the 1920–1930s by the Cosmist philosophers Alexander Gorsky, Nikolai Setnitsky, and Valeryan Muravyov as a representative case of the interaction between philosophy and literature typical for the Russian culture in the nineteenth to twentieth centuries. The article demonstrates how the synthesizing nature of the Cosmists’ creative thought, along with the multiplicity of their cultural roles, led to their use of genre forms which combined two types of writing, the literary and the philosophical, namely, philosophical mystery plays, philosophical poems, aphorisms, and fragments. In addition, their aesthetic views and creative productions are shown in connection with the philosophical legacy of Nikolai Fedorov, who explored the notions of “projective culture,” of history as salvatory work, and of art as a re-creation of life. This study of poetry and prose of Gorsky, Setnitsky and Muravyov reveals the links between their aesthetic views, which were based on the notion of “cultural Central Image”, and their creative practices.