Abstract

Presents a diverse range of phenomenological approaches that explore and expand the subject of film-phenomenology Presents a range of different phenomenological thinkers to extend and develop the boundaries and debates within the field of film-phenomenology Brings together leading scholars from the varied fields of Film Studies, Philosophy and Phenomenology, Feminist Philosophy, Media Studies, Critical Theory, Cultural Studies, and Political Science Develops a much-needed inquiry in film-phenomenology and diversity With an interdisciplinary agenda, Film Phenomenologies investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz.