Abstract

The portrait of a lady by Correggio in the Hermitage Museum, St Petersburg, has long attracted the attention of scholars. While the attribution to Antonio Allegri has been established beyond doubt, the identification of the young woman remains in dispute. The principal aim of this essay is to explore the ways in which the painting interacts with classical literature, and in turn with the ideas permeating northern Italy in the early sixteenth century. In particular, the paper contends that the composition ought to be thought of in the context of humanist interpretations of Homer’s Odyssey, iv.221, around the time it was painted.