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The symbolic, the sublime, and Slavoj Žižek's theory of film
New York: Palgrave-Macmillan (2012)
Abstract
From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.Author's Profile
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Citations of this work
'Nature doesn't care that we're there': Re-Symbolizing Nature's 'Natural' Contingency.Jack Black & Jim Cherrington - 2020 - International Journal of Žižek Studies 14 (1).
The Flight of (the) Concord: Joan Copjec and Slavoj Žižek read ‘Irma’s Injection’.Neil Cocks - 2021 - International Journal of Žižek Studies 15 (2).
‘Hey! What Did You Do to the World?’: Conceptualizing the Real with Baudrillard and Žižek.Louis-Paul Willis - 2016 - International Journal of Žižek Studies 10 (1).
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