Dependent Beauty and Perfection in Kant's Aesthetics

Philosophical Writings (29) (2005)
  Copy   BIBTEX

Abstract

This paper attacks an account of Kant's controversial distinction between "free" and "dependent" beauty. I present three problems—The Lorland problem, The Crawford Problem, and the problem of intrinsic relation—that are shown to be a consequence of various interpretations of Kant's distinction. Next, I reconstruct Robert Wicks' well-known account of dependent beauty as "the appreciation of teleological style" and point out a key equivocation in the statement of Wicks' account: the judgment of dependent beauty can be thought to consist in comparing any two objects' teleological styles either in respect of how or in respect of how well each realizes a common purpose. I argue that this equivocation forces Wicks into a dilemma: either he must assert the impossibility of ugliness or he must assert that the judgment of dependent beauty is reducible to the judgment of perfection. Either way, he denies important theoretic desiderata.

Other Versions

No versions found

Links

PhilArchive

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Analytics

Added to PP
2013-05-08

Downloads
2,124 (#5,910)

6 months
157 (#26,665)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Michael Joseph Fletcher
Central Washington University

Citations of this work

No citations found.

Add more citations

References found in this work

Kant and the Claims of Taste.Paul Guyer - 1979 - New York: Cambridge University Press.
Dependent beauty as the appreciation of teleological style.Robert Wicks - 1997 - Journal of Aesthetics and Art Criticism 55 (4):387-400.
Free and dependent beauty: A puzzling issue.Ruth Lorand - 1989 - British Journal of Aesthetics 29 (1):32-40.
Kant and the conditions of artistic beauty.Denis Dutton - 1994 - British Journal of Aesthetics 34 (3):226-239.

Add more references