The brain is the screen: Deleuze and the philosophy of cinema

(ed.)
Minneapolis: University of Minnesota Press (2000)
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Abstract

Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little ...

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PN1995.B714 2000

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0816634467   0816634475

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Chapters

Cinema Year Zero.  (pages 87--108)Gregory Flaxman
Escape from the image: Deleuze's image-ontology.  (pages 109--39)Martin Schwab
Into the Breach: Between the Movement-Image and the Time-Image.  (pages 171--93)Angelo Restivo
Signs of the time: Deleuze, Peirce, and the documentary image.  (pages 193--214)Laura Marks
The roots of the nomadic: Gilles Deleuze and the cinema of West Africa.  (pages 215--249)Dudley Andrew
Cinema and the Outside.  (pages 253--292)Gregg Lambert
Midday, Midnight: The Emergence of Cine-Thinking.  (pages 293--302)Éric Alliez
The Film Event: From Interval to Interstice.  (pages 303--325)Tom Conley
The imagination of immanence: an ethics of cinema.  (pages 327--362)Peter Canning

Similar books and articles

Cinema and the Outside.Gregg Lambert - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 253--292.
Cinema Year Zero.Gregory Flaxman - 2000 - In The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 87--108.
The imagination of immanence: an ethics of cinema.Peter Canning - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 327--362.
The roots of the nomadic: Gilles Deleuze and the cinema of West Africa.Dudley Andrew - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 215--249.
Signs of the time: Deleuze, Peirce, and the documentary image.Laura Marks - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 193--214.
Midday, Midnight: The Emergence of Cine-Thinking.Éric Alliez - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 293--302.
Escape from the image: Deleuze's image-ontology.Martin Schwab - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 109--39.
Into the Breach: Between the Movement-Image and the Time-Image.Angelo Restivo - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 171--93.
The Film Event: From Interval to Interstice.Tom Conley - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 303--325.
Is Philosophy Ever Enough?Andrew Murphie - 2001 - Film-Philosophy 5 (2).

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Citations of this work

Gilles Deleuze.Daniel Smith - 2008 - Stanford Encyclopedia of Philosophy.
Cinematic thinking: Narratives and bioethics unbound.Connie C. Price - 2007 - American Journal of Bioethics 7 (8):21 – 23.

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