Abstract

Herman Philipse's massive work undertakes to interpret and critique the work of Martin Heidegger within the full range of the often inscrutable philosopher's corpus, and claims to be the first such work ever to incorporate the expanse of Heidegger's work in a unifying interpretive elucidation. Philipse draws from Heidegger's earliest work to his 1927 masterpiece Being and Time, through the Kehre, or turn, in his thought, in which he moves from the formal rigor of his seminal work to enlist a mythical-mystical-poetic language to revive and transform the Aristotelian question of being. Given that the secondary literature in Heidegger scholarship has ballooned into the thousands of texts, Philipse makes a bold statement in claiming to be the first to offer a paninterpretive account of Heidegger's work.