Reflections on musical strangement

Semiotica 2004 (150) (2004)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1515/semi.2004.050

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,394

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Communication and the musical pyramid: On the nature and function of musical communities.Mark J. Butler - 2001 - Semiotica 2001 (133).
The temporal musical sign: In search of extrinsic musical meaning.Bertha Spies - 2006 - Semiotica 2006 (162):195-216.
Studies in Modern Music.W. H. Hadow - 1970 - Kennikat Press.
A theory of musical competence.Gino Stefani - 1987 - Semiotica 66 (1-3):7-22.
Two musical semiologists (Eero Tarasti, A'Theory of Musical Semiotics' and David Lidov,'Elements of Semiotics').Raymond Monelle - 1999 - Semiotica 123 (3-4):349-355.
Keeping up (musical) appearances.Naomi Gumming - 1997 - Semiotica 116 (2/4):319-349.
Leonard B. Meyer: On the threshold of musical semiotics.Melissa E. Korte - 2002 - Semiotica 2002 (142).
Some Systems of Musical Scales and Linguistic Principles.Anoop C. Chandola - 1970 - Semiotica 2 (2).
The semiotics of improvisation: The pragmatics of musical and verbal performance.R. Keith Sawyer - 1996 - Semiotica 108 (3-4):269-306.
The quest for interpretants: Toward a Peircean paradigm for musical semiotics.William P. Dougherty - 1994 - Semiotica 99 (1-2):163-184.

Analytics

Added to PP
2014-01-17

Downloads
17 (#1,152,036)

6 months
6 (#861,180)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

The Verbal Icon.W. K. Wimsatt - 1955 - Journal of Aesthetics and Art Criticism 13 (3):414-414.
Russian Formalism: Collection of Articles and Texts in Translation.Stephen Bann & John E. Bowlt - 1975 - Journal of Aesthetics and Art Criticism 33 (3):366-367.

Add more references