Abstract

The paper discusses Husserl’s conception of empathy by contrasting it to the classical interpretation of empathy as a phantasy transposition. I start by sketching out a brief historical overview of the classical conception of empathy, which Husserl encountered through its formulation in the work of Theodor Lipps. Following Husserl’s often employed analogy between empathy and memory, I try to work out the distinction between intuitive and non-intuitive empathy. Through this distinction, I will show that, in his later notations, Husserl was inclined to regard the fulfillment of empathy not as an actual reproductive intuition, but as a coherent succession of mere apperceptions.