Abstract

This essay engages an undertheorized form of democratic agency: the embodied spectacle that characterizes a strain of activist politics. Where an existing literature addresses “the spectacle” as a tactic of power, it does not do justice to how marginal groups have used radical bodily acts in order to intervene within the image-world of democratic politics (e.g., hunger strikes, die-ins, self-immolation). The essay argues that such performances represent a standing challenge to democratic theory and demand a more richly sensuous approach to how political claims are made. Such forms of bodily theatre do not only “speak” in ways that exceed official civic discourses but, in so doing, they unsettle the space of citizenship. Ultimately, these bodies do something in being undone.