Abstract

The aim of this article is to examine the thought of Hannah Arendt and the work of Osip Mandelstam from a unified conceptual stance. Arendt provides the grounds for this in her remarks about Mandelstam (alongside Rilke and Auden) in two major fragments from her final work “The Life of the Mind.” Arendt (here following on from Heidegger) speaks of the unity of poetry and praise, which, in turn, illustrates the affinity between thought and gratitude. However, the great modernist poets that Arendt mentions perform their praise within an existential and historical context in which praise proves a kind of impossible, paradoxical event. We attempt to discern Mandelstam’s poetic thought through the optics proposed by Hannah Arendt and to describe several aspects of his “poetics of praise.”