Pietra, ferro, fuoco, ombra: città nere da "Magdeburg" a "Los(t) Angeles"

Abstract

Both utopian and dystopian cities and societies are projects and/or prophecies of Modernity. The three great “classic” utopias were written – indeed – between 1516 and 1627, while the first modern state was in fieri in France with King Louis XIV and virtually in the same historic period of the “Thirty Years War”. After that period, approaching our age, we can find only dystopias, both in history and in fiction. In fact, even if they had not any fictional intentions, the three classic utopias have a narrative structure, and this feature joins them to recent dystopias, that are explicitly fictional. It seems difficult to try fictional works that really deal about heterotopias. It is possible only read of masked dystopias. Perhaps we have only some heterotopic stretches or hints hidden in novels like Alan D. Altieri’s Magdeburg, or Philip K. Dick’s Time Out of Joint.

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