Abstract

Addressing how indigeneity in Bolivia is actualised in social mobilisation as well as by the Morales regime, Fabricant and Postero’s chapter examines the different ways in which indigeneity is performed and represented. Focusing on protests against the construction of a highway through indigenous territories, they consider how performance can play a central role in what they call moral reflection about indigeneity, gender, and the articulation of alternative social worlds. Using the concept of ‘ethical substance’, the authors explore how, through performance, indigeneity serves as a central site of moral reflection and conduct. In so doing, they show how protests and performance also call into question the legitimacy of the Morales government’s claim to stand for all indigenous peoples. The chapter demonstrates how distinct actors can claim access to indigeneity, and that multiple actors perform indigeneity to push through their own ethical and political agendas.